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Anurag Smestad cover
Anurag Smestad

Anurag Smestad

About

My works are created through a repetitive, slow, and intentional action, a repetition that does not seek to produce an image but rather to allow for existence. Layer by layer, stroke by stroke, the painting is built as an ongoing process in which colour, time, and emotion accumulate into an active material body.The colour in my works does not represent an external world nor depict a familiar image. It acts as a living, autonomous material, carrying an internal rhythm and fluctuating emotional states: tension and calm, overload and stillness, holding and releasing. The colour is smeared, sinks, thickens, and wears away, with each action leaving a traceโ€”not of a story, but of a sensation.Repetition in painting serves as both a structural mechanism and an internal practice. On one hand, it creates order, rhythm, and control; on the other, it reveals the limits of these elements. With each repetition, a small deviation occurs: the hand changes, the material responds differently, and time is recorded on the surface. Within this deviation, an emotional space opens, where the painting ceases to be a planned action and transforms into an occurrence of existence.Impasto is not merely an expressive means; it is a way to examine presence and accumulation. It gathers time, attention, fatigue, and breath. The painting is constructed as a physical surface with weight and thickness, but also as an internal space inviting slow contemplation and bodily movement. Light, shadow, and texture change with the viewer's position, charging the painting with a shifting experience of closeness and distance.The works do not offer a definitive interpretation and do not seek to close into a single meaning. They invite lingering, a moment of pause within a continuum, listening to what unfolds within the repetition, and encountering the place where order fractures and emotion emerges. There, the painting stops representing something and begins to be an occurrence in the moment, an active material body and an open experiential space for the viewer.

Artworks